Softube Trident A Range Vst Rtas V102 Air Rar

The Trident A-Range is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range — David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on. The A-Range plug-in from Softube is the first and only native and TDM plug-in that has been fully endorsed by original designer Malcolm Toft and Trident Audio. The plug-in is a model of a channel on one of the original 13 Trident A-Range consoles. We chose to model channel 15 from the console at Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo.

The A-Range plug-in from Softube is the first and only native and TDM plug-in that has been fully endorsed by original designer Malcolm Toft and Trident Audio. The plug-in is a model of a channel on one of the original 13 Trident A-Range consoles.

The Trident A-Range is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range — David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on.

The A-Range plug-in from Softube is the first and only native and TDM plug-in that has been fully endorsed by original designer Malcolm Toft and Trident Audio. The plug-in is a model of a channel on one of the original 13 Trident A-Range consoles. We chose to model channel 15 from the console at Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's 'Ride The Lightning' and 'Master of Puppets', and Ritchie Blackmore's guitar on the Rainbow albums 'Difficult to Cure' and 'Bent out of Shape'. The A-Range channel features four bands of equalization and high and low pass filters. The sound of the bands is often referred to as 'colorful' and 'musical'. When running a hot enough signal through the original unit and boosting the bands, it is possible to get it to distort, the result is a hairy and effective saturation that is just right in some situations, and just wrong in others!

• Updated with GUI bug fixes. Fixes problems with line breaks in dialogs, and affects track meters. • Console 1 OSD: Changed help texts in All mode, changed ugly-looking ellipsis in Group text. La 5 chertezh modeli iz potolochki 1. • Console 1 OSD: The left (instead) of right meter is used in mono mode. Looks better that way. • Console 1 OSD: Curves filtering now as fast as the rest of the GUI.

• AAX 64-bit: First release (Mac/Win) • CPU optimizations • New graphics engine • Silence detection to save CPU when silent • Changed peak hold meter behaviour • AAX: Bypass gets same latency as processing • AAX: 'Compare' indicator bug fix • Removed circular knob modes. Horizontal/vertical is now default.

• Include AAX in VST/AU installer • Acoustic Feedback: Dry signal does not collapse to mono in stereo. • Pro Tools: Implemented the new automation shortcuts for Windows • TSAR-1R: Fixed GUI bug with the previous value display • Classic Channel, Grand Channel: Changed value on the Comp before EQ parameter • Pro Tools: Updated page tables, especially for Custom Fader modes. • Changed system requirements: Mac OS 10.6 and Windows 7 or better is now required. It will probably work with older OS:es, but we don't support it. All changes up to 1.3.3 that are not platform specific Optimized CPU usage on both DSP and Native plug-ins Tube Delay: Fixed a bug where the Tempo Sync switch was reversed.

AU: Fixed a problem with switches and automation in Logic VST3: Fixed a problem with factory presets in the TLA-100 TLA-100: Less zipper noise on the Saturation control AAX/TDM/RTAS: Improved page tables for D-Control and D-Command (Bass Amp Room, Focusing Equalizer, Dyna-mite, FET Compressor, TLA-100, Tonelux Tilt & Tilt Live, CL 1B.). • Updated with GUI bug fixes.

Fixes problems with line breaks in dialogs, and affects track meters. Honda phantom ta200 repair manual. • Console 1 OSD: Changed help texts in All mode, changed ugly-looking ellipsis in Group text.

• Console 1 OSD: The left (instead) of right meter is used in mono mode. Looks better that way. • Console 1 OSD: Curves filtering now as fast as the rest of the GUI. • AAX 64-bit: First release (Mac/Win) • CPU optimizations • New graphics engine • Silence detection to save CPU when silent • Changed peak hold meter behaviour • AAX: Bypass gets same latency as processing • AAX: 'Compare' indicator bug fix • Removed circular knob modes. Horizontal/vertical is now default. • Include AAX in VST/AU installer • Acoustic Feedback: Dry signal does not collapse to mono in stereo. • Pro Tools: Implemented the new automation shortcuts for Windows • TSAR-1R: Fixed GUI bug with the previous value display • Classic Channel, Grand Channel: Changed value on the Comp before EQ parameter • Pro Tools: Updated page tables, especially for Custom Fader modes.